Under the successive direction of the maestros, the Tunisian Symphony Orchestra showcased its ability to navigate varied repertoires, reflecting each conductor’s unique sensitivity. The carefully curated program celebrated diversity through emblematic works from each culture. The voices of Italian soprano Goar Faradzhian, Turkish singer Mine Bitmez, and the Tunis Opera Theater choir added a captivating vocal dimension to the performance.
The evening opened with “Funk Malouf” by Fawzi Chekili, conducted by Shady Garfi, accompanied by Tunisian guitarist Hedi Fahem. Then, Andrea Tarantino transported the audience to Italy with Goar Faradzhian, who performed classics like “O sole mio,” “Parla più piano,” “Con te partirò,” and the lively “Funiculì funiculà.”
The Algerian segment, led by Lotfi Saïdi, brought the stage to life with “Chahlet laayani,” inspired by Cuban music, and the iconic “Ya rayah,” performed by the choir. Lamar Elyes then moved the audience with “Sama’i bayati,” followed by patriotic Palestinian songs such as “Mawtini”—accompanied by an image of Jerusalem—and “Bahlef bi samaha,” evoking Palestinian resilience.
Shady Garfi returned to the stage with Mongia Sfaxi, reviving Tunisian memory through “Tetfatah lachkoun,” “Awadteni al wed,” and Farid Al Atrach’s “Ya zahratan fi khayali.” Meanwhile, Ahmet Baran enchanted the audience with a qanoûn solo, followed by “Pulp Fiction” and “Taamoluet,” and a bold reinterpretation of Mozart’s Symphony No. 40. Mine Bitmez concluded her performance with Turkish songs, captivating the audience despite the language barrier.
The evening closed with “Lila,” conducted by Shady Garfi and performed by the choir. This concert, where respect for classical traditions met innovation, showcased the virtuosity of the Tunisian Symphony Orchestra. This encounter of cultures and artistic visions celebrated the universality of music, leaving an indelible mark on the audience’s memories.
